Friday, May 17, 2013
Poetry Friday: Follow, Follow (by Marilyn Singer)
Like her earlier work Mirror, Mirror, Marilyn Singer has created a collection of clever and ironic reversos. Follow, Follow uses fairy tale characters and stories to illustrate that there are two sides to every story. The poems, and accompanying illustrations, are side by side. Though there are only slight changes in areas of punctuation and capitalization, the poems are exactly the same on both sides, but the lines are in reverse order. Amazingly, with just those small changes, a completely different perspective is revealed. For instance, in “Ready, Steady, Go!” both the hare and the tortoise’s views are seen (read both side separately):
That ridiculous loser! Take
me to the finish line!
I am not I’ve
got rabbit feet to
a slowpoke. beat.
Though I may be I
can’t be
the smallest bit distracted, the
smallest bit distracted.
I can’t be Though
I may be
beat. a
slowpoke.
I’ve got rabbit feet to I
am not
take me to the finish line. That
ridiculous loser.
Singer uses many other favorite fairy tales, such as Twelve Dancing Princesses, The Emperor’s
New Clothes, Goose Girl, Princess and the Pea, The Pied Piper, Puss in Boot, and Three Little Pigs. Follow,Follow can be enjoyed for its beautiful illustrations and witty poems, but it also
makes for insightful and entertaining exploration opportunities of literacy and performance
in the classroom. I recommend this book for ages 7 and up.
One of my favorites is a nice contrast
between traditional and modern views of women and love: “The Little Mermaid’s
Choice.”
For love, You’ll
never catch me
give up your voice. playing
Don’t “Catch
him.”
think twice. You
can’t
One the shore, be
docile
be his shadow. in
the unruly sea.
Don’t Keep
your home.
keep your home Don’t
in the unruly sea. be his shadow
Be docile. on
the shore.
You can’t Think
twice!
catch him Don’t
playing give
up your voice
"You'll never catch me." for love.
For other great poetry selections from around the blog-o-sphere, check out Think, Kid. Think.
Monday, May 13, 2013
Non-Fiction Monday: No Backbones series (by Natalie Lunis)
On this Non-Fiction Monday, I
am excited to share another outstanding non-fiction series from Bearport Publishing. I promise. I am don’t work for them. I
am just a huge fan of high quality books.
This week I read Squishy Sponges and Prickly Sea Stars from the No Backbone: Marine Invertebrates series. There
are four additional titles: Crawling Crabs, Gooey Jellyfish, Slimy Sea Slugs, and Squirting Squids.
The information, written by author Natalie Lunis, is an
excellent introduction to invertebrates in general and each animal
specifically. Each 2-page layout has 4-5
simple sentences in a bullet point format for easy reading. The independent reading level is 2-3 grade
range while children as young as 3-4 years of age will understand and enjoy. Each book has fascinating facts on areas like
what each animal eats to how they eat to what eats them! Of course, each animal has a unique body type, which makes each title high interest reading.
Check out the No Backbone series, as well as their
others, at Bearport. Visit Instantly Interruptible for other
Non-Fiction Monday selections from around the web.
Sunday, May 12, 2013
Navigating Early (by Clare Vanderpool)
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Summary
of Navigating Early (by
Clare Vanderpool):
Jack Baker is suddenly
uprooted from his Kansas home after his mother dies. He transfers to a Maine boarding school while
his father, a military officer, finishes serving at the close of World War II. Early Auden, the strangest of boys, is also an
outsider who has faced great loss. The
two boys forge a friendship that takes them on a quest in search of the Great
Appalachian Bear. Along the way, Early tells Jack of the
fictional story of Pi which parallels their own physical and, often, personal
journeys toward facing the loss and pain in their lives. A colorful cast of characters help make their
quest memorable and poignant.
Evaluation:
I read Vanderpool’s debut
(and Newbery winning) novel, Moon Over Manifest, so when I saw this new book on
a couple other blogs, I knew I had to read it.
Vanderpool has a gift for creating unforgettable characters and parallel
multi-layered story lines. Navigating Early showcases both of these
features.
Jack is a sort of “every boy.” He struggles with fitting in and finding his
place in school, in his family, and in life.
Early, on the other hand, is rare and unforgettable. Jack commonly calls him “the strangest of
boys” because Early’s behaviors were not understood in that era. Though Early is highly intelligent and
functional, he appears to be on the autism spectrum. His
mannerisms and personality are endearing and, at time, humorous. I could not help loving him.
The main story line is Jack
and Early’s quest. Early creates a story
to parallel the numbers in the mathematical pi.
Pi, like Jack and Early, must go on a quest to earn his name. As Pi learns what it means to be a man and
deal with loss and hardship so do Jack and Early—each in a different way. Even the minor characters they encounter have
their own intertwined and satisfying stories.
Middle grade readers will be
drawn to the boys’ journey to find the Great Appalachian Bear. They
will relate to Jack’s and Early’s characters as well as enjoy the fascinating
other characters. I highly recommend
Navigating Early for ages 8 and up.
Check out other excellent Middle Grade Fictions at Shannon Messenger's blog.
Wednesday, May 1, 2013
Before I Fall (Lauren Oliver)
I just finished listening to
Lauren Oliver’s Before I Fall on audio. When I first began the book, I was tempted to
stop it. The characters came across
arrogant, superficial, and immoral. All
qualities I hate to see in anyone, but especially as models for teens. Because of the countless rave review I have
encountered over the past couple years on the book (and because I enjoyed one
of her other books, Delirium), I plunged forward.
I am glad I did.
Plot:
Oliver takes the familiar “groundhog day” plot, but she makes it feel
fresh. Seventeen year old Sam keeps
living the day of her death over and over for a total of 7 days. The first few days she is only interested in
finding a way out. She is also still
stuck in her immaturity, prejudices, and shallow teen self. With each effort to make a significant
change, Sam slowly sees the day (and much of her life) through a 360 degree
lens. The multi-layered plot has a
steady pace that kept me wanting to come back to hear more.
Characterization: At the opening of the book, I disliked all the characters. I grew to like Sam and the others. Even the fiercest character, Lindsey, earned my sympathy. They each illustrated in different ways that people are much more than they seem. The popular people are often some of the most broken, always looking to cover up their hurts, habits, and failings. Sam, also, learns how her actions impact others, often in unexpected and devastating ways. The circumstances, I hope, will prompt young adults to consider their choices more carefully.
Characterization: At the opening of the book, I disliked all the characters. I grew to like Sam and the others. Even the fiercest character, Lindsey, earned my sympathy. They each illustrated in different ways that people are much more than they seem. The popular people are often some of the most broken, always looking to cover up their hurts, habits, and failings. Sam, also, learns how her actions impact others, often in unexpected and devastating ways. The circumstances, I hope, will prompt young adults to consider their choices more carefully.
Motifs: There are so many great motifs. First, the story focuses on the bullying of one innocent classmate, Julia. As she lives out each day, Sam feels the weight of her group’s actions toward this particular peer as well as a few others. The message about the impact of bullying is real and relevant. Next, I love how Sam begins to appreciate the people and the world around her. Unfortunately, she only has a short time to revel in it, but readers will definitely be challenged to “love deeper” and “speak sweeter.” Finally, illusions play a significant role. Sam lives in an illusion—until that fateful day of her death. She struggles at first to see others and herself for what they are in reality. As she peels back the onion layers of that day and her life, she gains a greater understanding of herself and those around her.
Language: I love Oliver’s often lyrical and beautiful use of language and metaphor. Her dialogue comes across genuine and realistic. The one aspect I did not enjoy is the frequent cursing. Two of the most common words—sh*t and b**ch—are used more excessively than I prefer, especially for young people. Yes, I know that many do curse—and do it often—and most people cuss on occasion. For many, this issue will not bother them. To me, cursing is the crutch of those who lack imagination and/or vocabulary to express themselves another way. For these teen characters, it is likely the case.
Sexual Situations: I was especially saddened by Sam’s initial desire to have sex for the first time with a boy she had mediocre feelings with to “get it over with.” Fortunately, this attitude does eventually mature. Also, Sam is flirty with one of her teachers. On the day she decides to “live it up” since everything will be reset the next day anyway, she becomes sexually aggressive with the instructor, leading to some intense physical contact. This scenario is a HUGE pet peeve of mine in young adult fiction. Fortunately, Sam becomes repulsed by the event in retrospect. With each fictional or real occurrence of the inappropriate teacher-student relationship, I feel it becomes less shocking and, slowly, becomes seen less and less as immoral or wrong—which I believe is a sad commentary on our times. Overall, the girls approach sex is playful and fun. They are described draping themselves all over guys who appear to have little respect for them. One of their favorite sayings is “No glove. No love.” If they are going to have sex, I appreciate that they at least advocated condom use. Like many contemporary youth fictions, the seriousness of sex as an extension of maturity and commitment and love is completely absent.
After finishing the book, I believe it was likely the author's purpose to begin with the superficial, popular "mean girls" and turn the stereotype upside down--which she did accomplish. I recommend Before I Fall for ages 15 and up.
Saturday, April 20, 2013
The Fault in Our Stars (John Green)
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Summary of The
Fault in our Stars (by
John Green):
Sixteen year old Hazel is clinically
depressed after three years of fighting off terminal cancer. The doctors have
found a way to keep the cancer from spreading (for the time being), but she has
limited lung capacity. To help her deal with her illness and (hopefully)
make friends, her parents bring her a weekly support group. When
charismatic and witty Augustus Waters begins to attend, Hazel finds a kindred
spirit who not only understands her situation but is also her intellectual
equal. Through their relationship, Hazel begins to experience life more
fully.
Evaluation:
Evaluation:
Insightful: Author
John Green has drawn authentic characters who offer insights not only in what
it means to live and to fight off illness but also on what it means to be
young, in love, and dealing with loss. I loved the playful banter between
the characters (especially Augustus and Hazel). The often poetic way that
a situation or idea is described is brilliant and wonderful. I thoroughly
enjoyed Green’s use of language and metaphor.
Bold: The author does not belittle those with terminal illness, but he does not romanticize the fight of cancer patients either. The characters themselves comment on the common stereotype of the “heroic” fighter. They illustrate in their lives that even the “best” of people and fighters are not always graceful and brave.
Irreverent: Hazel has no idealistic notions of the world, God, or the afterlife. She believes in a vague “universe” that she eventually concludes “wants to be noticed.” Her attitude towards traditional religion and beliefs is impertinent. While Augustus has a sense of wanting to make a difference in the world and of a “something” beyond, Hazel does not see the purpose. She shames him for believing his position is more enlightened, and he caves. Hazel is content to just be part of her small circle, eventually dying and being forgotten. While this aspect of the novel is realistic and reflective of many people’s beliefs, I found it disappointing and depressing.
Raw: Green reveals the harsh reality and difficult setbacks of his characters. The characters get angry, yell, and, even, break things. They occasionally use raw language and profanities. Parents sometimes showed their weakness in dealing with their sick children. Some of the more heart-wrenching moments are when Hazel is desperate to find out what happened to the mother in her favorite novel (An Imperial Affliction), and her fears on what will happened to her parents (especially her mother) after her death.
Overall, I genuine enjoy The Fault of our Stars. I cried. I laughed. I smiled (especially when Augustus was “in the picture”). I recommend this book for ages 14 and up.
Bold: The author does not belittle those with terminal illness, but he does not romanticize the fight of cancer patients either. The characters themselves comment on the common stereotype of the “heroic” fighter. They illustrate in their lives that even the “best” of people and fighters are not always graceful and brave.
Irreverent: Hazel has no idealistic notions of the world, God, or the afterlife. She believes in a vague “universe” that she eventually concludes “wants to be noticed.” Her attitude towards traditional religion and beliefs is impertinent. While Augustus has a sense of wanting to make a difference in the world and of a “something” beyond, Hazel does not see the purpose. She shames him for believing his position is more enlightened, and he caves. Hazel is content to just be part of her small circle, eventually dying and being forgotten. While this aspect of the novel is realistic and reflective of many people’s beliefs, I found it disappointing and depressing.
Raw: Green reveals the harsh reality and difficult setbacks of his characters. The characters get angry, yell, and, even, break things. They occasionally use raw language and profanities. Parents sometimes showed their weakness in dealing with their sick children. Some of the more heart-wrenching moments are when Hazel is desperate to find out what happened to the mother in her favorite novel (An Imperial Affliction), and her fears on what will happened to her parents (especially her mother) after her death.
Overall, I genuine enjoy The Fault of our Stars. I cried. I laughed. I smiled (especially when Augustus was “in the picture”). I recommend this book for ages 14 and up.
Friday, April 12, 2013
Poetry Friday: Comets, Stars, the Moon, and Mars (by Douglas Florian):
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Comets, Stars, the Moon, and Mars (by Douglas Florian):
As with many of Florian’s other
books, this space-themed collection incorporates science facts with the rhyme, rhythm, and imagery of poetry. The
illustrations are a wonderful blend of painting, collage, text, and simple die
cut shapes. The collection begins with
general poems about the universe and our solar system. Next, each planet has its own poem. Other space elements are covered, such as
moon, comets, constellations, black holes, and the great beyond. The “galactic
glossary” explains in prose format, that both compliments and expands
the poems, more about each of the objects.
This collection is ideal for educators
and parents teaching about the solar system.
Children get a fun introduction or reinforcement of facts. They can be challenged to create their own
space poems using information that an adult provided or that the children researched. The illustrations could be used as a spring
board for child-created painting/collage depictions of our solar system. For
other solar system books and activities, visit my Pinterest collection.
“Venus”
Scalding-hot surface,
Nine hundred degrees.
Nothing can live there,
No creatures,
No tree.
Poisonous clouds
Of acid above.
Why was it named for
The goddess of love?
“The
Comet”
Ice, rock, dirt,
Metal and gas—
Around the sun
A comet may pass.
A dirty snowball
Of space debris.
The biggest snowball
That you’ll ever see.
Check out other great poems and poetry anthologies at Random Noodling in honor of Poetry Friday.
Saturday, April 6, 2013
Pirate Nap (by Danna Smith)
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Summary
of Pirate Nap: A Book of Colors (by
Danna Smith):
Two energetic and mischievous
preschoolers attempt to avoid naptime. Together,
they experience a pirate adventure by imaginatively turning household objects
into colorful pirate treasures and objects.
Eventually, their mother successfully corrals them into bed for a nap,
but not before they “stash their treasures” and “stow their swords.” The snappy rhyming text is sure to draw
young readers.
Another clue. Blow me down!
A treasure chest! Wooden. BROWN.
Pirate’s luck. The treasure’s big.
Yo ho ho! The pirates dig.
Evaluation:
Author Danna Smith has
created a fun rhyming adventure that effectively teaches the early learning concept of
color identification while celebrating imaginative play. The colors words are a natural part of the
text. The object in question is the
focal point through brighter colors that contrast with more muted tones,
position on the page, and/or the action of the story. The color name is always bold and in the
color in question, ideal for teaching youngsters visual recognition and
allowing them to “read” along. While color identification is taught, it is down in a more subtle way than most concept books. The focus of the text and illustrations is on childhood play and nap time.
Artist Valeria Petrone does a
wonderful job with the accompanying illustrations. Her animated pictures add to the text rather
than just mimic it. For instance, the
text states: “Hear a scream. What could it be? A purple monster from the sea!” The illustrations show a younger sister
(dressed in purple) who has taken the necklace from her siblings and run
off.
Pirate Nap will quickly become a pre-naptime favorite. I recommend the book for ages 3 months to 4
years old.
Tuesday, April 2, 2013
Picturebook Author Spotlight: Jan Thomas
Jan Thomas has a charming style
which is both memorable and interactive.
Children (and adults) are drawn
to the simple illustrations and reoccurring characters—animals and dust
bunnies. These characters are often
emotionally charged with cheerful excitement or playful fear. The simple vocabulary, rhyming words, and
repetition are ideal for building early reading skills and for practicing early
readers. Her stories often have an ironic
twist or humorous situations. Best of
all, the books make the readers and listeners feel like important participants
in the story experience. Check these
books out on your next trip to the library or the bookstore.
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Four adorable dust bunnies—Ed,
Ned, Ted, and Bob love to rhyme all the time!
While the other three are distracted with their exuberant rhyming game,
Ed tries to warn them of impending danger.
Instead of listening to him, they correct him. For instance, they inform him: “No, Bob…’Look!’ does not rhyme with car!” Even when he finally gets his whole message
out (“Look out! Here comes a big scary monster with a broom!”), the others still
do not understand…that is until they see it coming toward them! They are not out of danger yet though. Kids will want to rhyme right along with
these original characters while enjoying the fun plot turns.
When the rhyming dust bunnies
meet Big, Mean Dust Bunny, they ask him to join their rhyming game. He declines.
They urge him on anyway. The Big
Mean Dust Bunny lives up to his name…he makes every rhyming round an
opportunity to bully the others. Until,
the big fat cat “spats” him. The others
come to his aid (while maintaining their rhyming game), warming his heart and
winning him over. The end pages have a
cute twist…and a possible clue for a sequel.
The book begins with the
question, “Will Fat Cat sit on…the cow?”
The concerned cow replies, “Moo?”
The next page reveals, “No! Fat
Cat will not sit on Cow!” The question
continues in a similar fashion with each of the animals until the mouse helps
find a solution. With that resolved, the
next question is, “What will Fat Cat have for lunch?” This query prompts the animals to all
flee. I love the playful banter between
the animals, the melodramatic looks, and the exaggerated suspense. Children are sure to have a blast with this
question and answer book.
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A cheery ladybug invites
readers/listeners to join in a game of pretend.
They are asked to imagine there is a tiny bug on their nose, in their
mouth, and on their shirt (among other things).
When that pesky bug refuses to come off (even after a round of the
chicken dance), the ladybug asks readers/listeners to pretend a giant hungry
frog is coming to eat the pest. An
unexpected visitor arrives, so she pleas to the participants to make a scary
face! That scary face has a surprising
outcome! Not only does this book encourage
interaction, it is sure to elicit giggles and grins.
Out on the prairie, the
cowboy tells two cute little cows it is “Time to hit the hay.” Looking sleepy and content, they listen as
the cowboy sings:
It’s time
for little cows
to rest their head.
It’s time
for little cows
to go to bed.
It’s time
for little cows
to sleep so tight.
It’s time
for us to say…
On the next page, the cowboy shrieks,
“Eeeeek!” He sees a shadow and thinks it
is a huge hairy spider. The cows show
him it is only a flower. They try the
lullaby again. Each time, the cowboy
becomes frightened by something that turns out to be nothing scary at all. Until a big giant wolf shows up. It is okay though. He LOVES lullabies too. They all sleep happily ever after. Kids will love to read a long with this
bedtime story, which reassures them there is nothing to fear.
Monday, April 1, 2013
Martin de Porres: The Rose in the Desert (Gary D. Schmidt)
Summary of Martin de Porres: The Rose in the Desert (Gary D. Schmidt):
Martin de Porres
was born with seemingly everything to his disadvantage. He was the son of an African slave mother and
a Spanish noble father, making Martin a mixed race child. His early years were spent in extreme
poverty. Despite these economic and
cultural obstacles, his mother called him “The Rose in the Desert.” When he was eight
years old, his father took him from the stink, cold, and hunger of the
barrios. He gave Martin and his sister his name—which was frowned upon by both the royals and the clergy. Later, Martin was apprenticed out to become
a healer and later came to live with the Dominican priests. He overcame great racial and economic
prejudice to become highly respected and sought after for his ability to heal
and to show compassion to both people and animals, yet he always lived humbly among those he served until
his death.
Evaluation:
Like most people,
I love success stories. Martin de Porres’
story is definitely such a story—but not at all in the typical sense. He is not a man who overcomes to be rich and
famous, but rather to remain poor and humble. Through his work, he ministers to
many and alleviates great suffering. There are
many recorded miracles attributed to him which led the church to eventually canonize
him into the sainthood. Whether you
believe in miracles or not, Martin’s service and compassion for others stands
as a testament to the greatest that humanity can achieve despite immense
odds.
Author Gary D. Schmidt records this story in beautiful poetic language. For instance, I love the lines, “Hunger lived in their home. Illness was their companion.” This description aptly captures the oppressive nature of his early surroundings. Another favorite section is: “After thirteen years, every soul in Lima knew who Martin was: Not a mongrel. Not the son of a slave. ‘He is a rose in the desert,’ they said.” In addition, artist David Diaz expertly illustrates the text. I love the muted tones with splashes of color that captures the life and the culture of this beloved saint.
While Martin de Porres: The Rose in the Desert is a story worthy of sharing for any occasion, it is noteworthy to include in a study of the Renaissance, South American/Spanish culture, and saints/religious figures. Of course, it is a study of positive character qualities, such as perseverance, humbleness, and compassion. I recommend this book for ages 7 and up.
For other outstanding non-fiction selections, check out the Non-Fiction Monday round up at Wendie's Wanderings.
Sunday, March 31, 2013
Watsons Go to Birmingham (Christopher Paul Curtis)
Summary of The Watsons Go to Birmingham 1963 (by
Christopher Paul Curtis):
Kenny and his family of “weird”
Watsons live in Flint during the tumultuous civil rights era. In their middle class, black community in
Michigan, they are insulated from much of the tension and violence. The novel focuses on their everyday lives and
relationships, which ranges from humorous when Byron gets his tongue stuck to
the car mirror during a winter storm to endearing as the family sits around listening to music on their new car record player to reflective as Kenny learns
how to be a friend to the neighborhood newbies.
The family decides to take a trip down to Birmingham, Alabama to visit extended family. During their
stay, they experience a racial terrorist attack on a church in the community
they are visiting.
Evaluation:
I had a fond recollection of this middle
grade novel after reading it several years ago, but I had honestly forgotten
how endearing the voice and timeless the story until I recently reread it. Author Christopher Paul Curtis so beautifully
captures the perspective of a 9 year old boy, Kenny. He has an innocence about him that tempers
the tragedy and tension, which is ideal for young readers. Kenny, also, has a mischievous-side, bringing about much of the humor and lightness in the novel.
I love the family dynamics. There is sibling rivalry—particularly between
Kenny and his older brother Byron--but it is clear the boys love each other. Kenny looks up to his brother, known the “juvenile delinquent,” even though Byron often torments him. Also, Byron saves Kenny physically and
emotionally during the course of the story. The parents have a strong, through not overbearing, presence in their children's lives. The youngest child plays the smallest role in the action, mostly that of a tattle tale and conscious to the two older boys. Each person, including the parents, is flawed,
but ultimately, they all look out for each other and love each other.
Kenny is often naive and immature in
social situations. Throughout the novel,
he grows as a friend, family member, and person. The most significant growth comes after their
visit to Birmingham which causes him to face his own mortality as well as that of his younger
sister and his community. Back in Flint, it
takes him several weeks to go though a healing and mourning process. Just as everything is not clear and neatly
tied up in life, so is Kenny still left with some uncertainty even has he moves
forward with hope.
The author does an excellent job with
the historical time period and tragic bombing.
Much of the oppressive and dangerous backdrop is understated, which
works well for the child perspective and reader. At the same time, the events are ideal for
discussions on recent tragedies and dangers that young readers are familiar
with (or may even have some first hand experience).
Christopher Paul Curtis is an impressive
and memorable writer. He has two other
middle grade novels that tackle issues that are unique to the African-American
culture while transcending it with characters and experiences that are universal (Bud, Not Buddy and Elijah of Buxton). All three books have been awarded the Newbery or Newbery Honor award, which is quite an impressive feat. In addition, he has published a couple middle grade mysteries. I had the pleasure of hearing him speak and
meeting him at a conference. He was warm
and friendly as he met his many fans as well as entertaining and engaging as a
speaker--all qualities that come through his writing. For any middle grader reader or
fan, he is a must read!
I recommend The Watsons Go to Birmingham 1963 for ages 9 and up. It is also ideal for classroom and home schooling curriculums because of the outstanding characterization, excellent literary qualities, and connections to a pivotal historical era.
I recommend The Watsons Go to Birmingham 1963 for ages 9 and up. It is also ideal for classroom and home schooling curriculums because of the outstanding characterization, excellent literary qualities, and connections to a pivotal historical era.
Teaching
Opportunities:
- History: read during a unit study on the 1960’s and/or civil rights movement
- Music: Kenny has a favorite song he loves to listen to over and over again; play it and discuss why he might be so drawn to it; then, listen to other popular songs of the era and discuss
- Biography: read about famous civil rights leaders like Martin Luther King, Jr. and Rosa Parks
- Compare/Contrast: discuss similarities and differences in Kenny’s life and that of contemporary middle graders
- Character Education: discuss the qualities of a good friend; apply the list to Kenny to evaluate if he would be a good friend and to selves
- Similes and Metaphors: have the students pick a character or conflict in the book; next, ask them to pick an animal or thing to describe the person or conflict and explain why they chose it; write similes and metaphors using the animals or things
- Picturebook Literature: read other experiences during this historical era such as Ruth and the Green Book, Back of the Bus, Grandma's Pride, When Grandma Sings, and Goin' Someplace Special.
Visit Shannon Messenger, the hostess of Marvelous Middle Grade Monday, for other great middle fictions.
Saturday, March 9, 2013
Delirium (by Lauren Oliver)
Lena Haloway is content in
the government-managed society she lives in.
The reality that everything is neatly laid out for her—career, husband, life—makes
her look forward to her “cure” and the future.
Despite the tragedy of her mother’s suicide and the whispers of the “invalid”
community, Lena believes the government knows what is best for its people. As she dabbles in investigating the
forbidden parts of society, she begins to realize the government and the cure
are not really about her best interests. Instead, she will seal for herself a
future that is grey and dreary—if she submits. Lena realizes it is better to love and to live—even
if it means feelings of pain and loss. She
must make an important, and possibility dangerous, decision before it is too
late.
Evaluation:
I have seen the Delirium series
and Lauren Oliver on many favorites’ lists.
I took the plunge and began reading Delirium at the beginning of the
week…I could not put it down. I was
enraptured in the plot immediately! Ms.
Oliver’s language is often poetic. Her
storytelling keeps a steady pace, each new event driving me to find out what
will happen to Lena, Hana (her best friend), and Alex (her first love).
The characterization is well
done. One of my favorite parts is the
relationship between Lena and Hana.
There is an innocence in their friendship as they savor the last days of
their youth and life with emotions. They
are fiercely loyal and devoted to each other.
Lena starts off as an obedient, though internally conflicted,
protagonist. As the story progresses,
she grows bold, confident, and independent—willing to risk everything for
truth, freedom, and love. Alex is
protective, loving, and strong. They
appear to be a good, healthy match.
Since they are living in an
oppressive society, it is natural to cheer them on as they defy social and government expectations. On the other hand, I
always feel a sense of conflict as teens’ rebel in novels. I realize a certain amount of stepping out from
parents is healthy and necessary, but I don’t believe it has to be under of cloud
of deception and rebellion. Lena lies
and sneaks around a lot--though it is understandable to a degree in her extremely rigid society because there is no other recourse, ever. I hope young adult readers will not view their own seemingly “oppressive” lives as an excuse to do the
same. This story (like other dystopian novels) should be a cautionary tale of allowing the government too much control over our lives. Hopefully, it will prod young people to seek out representatives that fight for individual autonomy rather than government control--no matter how enticing the freebies may seem.
There are, also, a handful of
profanities and some mild sexual content.
For instance, a scene is briefly described where Alex gazes at Lena with
no shirt on. They also have a night
alone sleeping together. Lena does not
feel ready for sex. Alex respects her decision with grace. Of course, there are many references to
kissing.
The novel prompted me to think about the age-old dilemma of emotion vs. reason. I think we are so drawn to emotions as humans because they, along with their cohorts passion and love, are not something we can readily control. Sometimes we don't want to. Other times we want or need to, but feel we cannot. This situation could spur a lively discussion on the role of passion and emotions as well as reason and control in our lives.
The novel prompted me to think about the age-old dilemma of emotion vs. reason. I think we are so drawn to emotions as humans because they, along with their cohorts passion and love, are not something we can readily control. Sometimes we don't want to. Other times we want or need to, but feel we cannot. This situation could spur a lively discussion on the role of passion and emotions as well as reason and control in our lives.
Overall, I genuinely enjoyed
this dystopian novel. I have the next
one, Pandemonium, on reserve. I look
forward to reading the other books in the series. I recommend Delirium for ages 14 and up.
Friday, March 8, 2013
Poetry Friday: Blue Lipstick (by John Grandits)
Blue Lipstick: Concrete Poems (by John Grandits):
Then, I sat down and really examined the poems. The first one was “Bad Hair Day.” The words come out of a head, appearing as a crazy mess. The narrative poem captures well the adolescent female’s voice, with hyperbole and humor. Next, I was drawn to “Girls, We Have the Solution!” This witty poem is set up as an advertisement. It effectively depicts common insecurities of young girls, insightfully and humorously. Also, “Pep Rally” is memorable. There is a traditional free verse poem at the top accompanying a concrete poem describing cheerleaders through the speaker’s perspective.
All the poems are written through
the perspective of a young high school girl.
She grows and changes through the
poems. For instance, in “The Wall”
she sees most the people in her life as on “The Other Side.” In other words, they are against her. However, in “The Wall (Revisited)” positioned toward
the end of the book, she becomes more reflective and acknowledges more people
as on her side.
Blue Lipstick is a memorable and engaging book of
poems. I recommend it for ages 13 and
up.
Thursday, March 7, 2013
Fairy Tale Friday: Five Fabulous Fractured Fairy Tales
My life got too crazy! I had to give up blogging…and Fairy Tale
Friday…for a while. I am working on
being consistent again. Here is my first installment in many, many
months. If you have a favorite fairy
tale you want to share, leave a comment.
J
I have been reading a lot of
fairy tales lately, especially fractured ones.
In my study of this sub-genre, I have realize there is not a set
definition, and it is applied to many types of tales that I did not original
think of as fractured. Previously, I
believed works like The Stinky Cheese Man and The True Story of the Three Little Pigs were the “definition”
of fractured. According to my research,
the term broadly includes pretty much all modern retellings.
I feel this sub-genre should
have a clearer definition because I don’t necessarily think a tale is “fractured”
if only a few superficial elements are changed. To me, there should be a switching of
perspectives and/or modern characterization and message to be a good fractured
tale. Also, I believe there is a difference between a multicultural tale and a
fairy tale that has been retold using non-traditional cultural elements. I do not see this distinction though in the
definitions and discussions I have come across so far. With all that being said, here are Five
Fabulous Fractured Fairy Tales you should check out!
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This twist on The Three
Little Pigs begins “once upon a dangerous time” there was a wolf blowing houses
down. The three pigs decide to fight
back, so each one enrolls in school to learn martial arts. The first two pigs quit after they learn a few
moves, but the third pigs works until she has become a black belt. When the wolf comes around, he able to
quickly disarm the first two pigs because they are ill-prepared. The third pig though scares him off when she
demonstrates her skills. The other two
pigs decided they need to finish what they started. They go back to school to finish their
training and eventually open up their own dojo to train other animals. This modern retelling has a fun, snappy text
and entertaining illustrations is perfect for ages 5 and up. The
Three Ninja Pigs will please aspiring ninjas and anyone who wishes to “fight
back” against the bullies in the world.
This picture book is broken
down like a simple graphic novel with several scenes per page to capture all
the action. It begins with a class
making a gingerbread man. As he comes
out of the oven, they leave for recess.
The gingerbread man does not want to be left out though. He says, “I’ll run and I’ll run as fast as I
can. I can catch them! I’m their gingerbread man!” As he seeks out his class, he meets various
people like the school nurse, the gym teacher, the art teacher, and the
principal. When he finally finds his
class, he is welcomed back with cheers.
They make him a desk, chair, and his own little house. The gingerbread man finds he is where he
belongs. This tale could work well in
school at the beginning of the year (especially for kindergarteners) to discuss
the various staff and teacher they will encounter. Gingerbread
Man Loose in the School is a must read for listeners 4-7.
This fractured fairy tale
takes place on a city block in more modern times. When this little beauty is born, all their
friends and relatives come to celebrate.
A “witch” in the apartment building is left off the guest list, but she attends
anyway to put on the girl a sleeping curse with one twist…she will be awakened
by a great rock star. Her parents have
many sleepless nights working to make sure nothing sharp pricks her
fingers. Then, on her 14th
birthday, a creepy old lady arrives with a gift—a record player. The beauty pricks her finger and falls fast
asleep. She outwits the witch though. The next morning her radio alarm clock wakes
her up to the tune of her favorite rock star.
The girl writes her “prince” of a
rock star to thank him. So what ever happened
to the rock star? They eventually met..and
enjoyed music together. The story is
written in poetic verse with some jazzy intrusions in the narrative by others. Sleepless Beauty is a witty
retelling that children 8 and up will appreciate.
This clever tale is sure to
leave kids giggling from the verbal and situational irony. For no particular reason, three dinosaurs set
up their beds, chairs, and bowls of chocolate pudding. Then, they decide to leave to go “someplace
else” with the hopes that “no innocent little succulent child happens” to come
across their home. As they casually hide in the woods, they wait
for Goldilocks to find their signs to help lead her to their home (trap). She finds her way there and fills up on
chocolate pudding that has been left out (but not because it will make her more
delicious). Looking around, she begins
to realize she is not in the right house or story..just in time because there
is a loud booming noise (which could be a passing truck or, maybe, a gloating
dinosaur). Willems wraps up this tale
in a creative and entertaining way. Children
8 and up will want to revisit this tale over and over again. Be sure to look closely as the pictures that
offer lots of clues and humor.
Prince Henrik wants to fall
in love and get married. He does not
care if the girl is pretty—only that likes hockey and camping. Oh, and he like her to have a nice smile. His brother gives him advice on how to find a
“real” princess using a pea and some mattresses. Henrik observes the “real” princess his
brother married and decides that is not the kind of girl he wants to marry—she is
fussy and overly sensitive. Instead,
Henrik puts a pack of frozen peas under a single, thin mattress, hoping to find
a girl who is not bothered by it. Girls
come and go, but none of them sleeps well.
His friend Pippa comes for a visit.
They have a blast together playing hockey and riding horses, so he “tests”
her and finds she is just the girl for him:
She slept perfectly, even appreciating the frozen peas because they
helped soothe her sore muscle from their hockey playing. Henrik asks her to marry him. She replies, “But I am not a real princess.” Henrik says, “Even better…You’ll be an unreal
princess.” I loved this reimagining of
the tale and what it means to be a good “princess.” I recommend The
Princess and the Pack of Frozen Peas for ages 6 and up.
Teaching
Opportunities:
- Pinterest: Check out my Fairy Tale folder of ideas from around the Internet.
- Irony: Several fractured fairy tales use irony (especially Goldilocks and the 3 Dinosaurs). Depending on the age of child, teach the concept on a basic level and help child identify or teach types of irony and allow child to identify them.
- Comparison: Compare and contrast the fractured fairy tale with a traditional version. Use a Venn Diagram to record the results.
- Writing: As a class, in groups, or individually, guide children to write their own fractured fairy tale.
- Literature: Introduce the characteristics of a fractured fairy tale and apply to one or more tales.
- Research: Pick a tale to research. Learn about the origins and development of the tale over the years.
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